Photos I took last Saturday. I bought Ilford HP5+ 120 film for the first time ever. Tri-X is getting to be too expensive. I like the look of the negatives, but they don’t dry as flat as Kodak stuff. I’ll keep working with it though.
Hasselblad 503cx, Ilford HP5+, Kodak D76 1:1
November 17th, 2012
I started developing film again last week. I’m going to give private photography lessons and hope that it’ll get me back into the swing of things. This roll of film spans January-October 2012.
A paper negative from my 4x5 Cambo when I first got it. Fomapan VC paper, ISO 2 effective speed. Sort of a cool look between film and wet plate.
I just found one of my own photos from Flickr with 601 reblogs.. I figured I might as well be 602. This was an experiment to make my own film developer out of instant coffee and crushed vitamin-C tablets.
Strickler’s Clothing
Hasselblad 503cx, Kodak Tri-X, HC110
October, 2009
The Ice Giraffe
February, 2008
Hasselblad 503cx, Fuji Neopan Acros 100, D76
A found composition, downtown Ames
February, 2007
Hasselblad 500 c/m, Fomapan 200, developed in HC110
Trees
Hasselblad 503cx, Kodak Tri-X, Xtol
March, 2009
No Loitering
Hasselblad 503cx, Kodak Tri-X, Rodinal
October, 2011
Screen shots mostly of Joe Pesci in ‘The Public Eye,’ a 1992 movie loosely based off of real life photographer Arthur Felig (Weegee.) However, the dramatic story is purely fiction. It took me a long time to find a copy of this movie. It’s very visually pleasing.
I finally managed to shoot a roll of film this past Monday. Hasselblad 503cx, Kodak Tri-X, Rodinal 1:50.
November, 2009.
Foggy morning in Ames
Hasselblad 503cx, Kodak Tri-X, HC110
Somewhere in Boone, Iowa
Hasselblad 500 c/m, Fomapan 200
Look at the Slipknot ‘Psychosocial’ CD single cover sometime..
Gardiner School, 3rd floor.
Hasselblad 503cx, Kodak Tri-X
